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Comics review: Three chapters in, ‘Sixty Six’ still has it


Images courtesy of Anino Comics
 
With his unassuming cap and jacket, Celestino Cabal is unstoppable, in more ways than one. Knives don’t faze him, steel pipes get crumpled and wrinkled like paper upon coming into contact with his nigh-invincible skin… and more importantly, old age can’t slow him down. Apparently, neither can being in three installments of a high-octane comic.

Russell Molina and Ian Sta. Maria team up once again to bring us the third chapter of “Sixty Six,” the colorful story of an unconventional hero. “Sixty Six” looks and reads like a book that could have been published by Marvel, DC, or any other major foreign comics publisher. Also, considering it’s the third chapter in a multi-part series, this installment of “Sixty Six” is very reader-friendly.

You don’t necessarily need to have read either of the first two chapters (though if you happened to purchase a copy of “Abangan: The Best in Philippine Comics” – which I highly recommend – you would have gotten a taste of “Sixty Six” already) to make sense out of this issue. It’s pretty straightforward: it starts out as an action-packed, slice-of-life adventure showing what appears to be a normal day for Mang Tino, eventually revealing itself to be a crucial turning point for the character (and a large piece of the overall narrative puzzle).

Aside from having crafted a simple yet highly entertaining story, Russell Molina also shows his mastery in writing dialogue. Nothing sounds forced, out of place, or worse, like directly translated English thoughts; the exchanges between characters flow as naturally as they would between Filipinos in real life. The sound effects he employs are also quite amusing; I imagine there’s nothing as satisfying as using the word “TADYAK!” to represent the sound of a swift kick to the testicles.

Of course, stellar writing is only half of the equation that makes up a successful comic book, which is why it’s fortunate that Ian Sta. Maria has more than enough talent to do justice to Molina’s script.

 
Sta. Maria’s pencils, somewhat reminiscent of Will Sliney’s work on Marvel’s Spider-Man 2099, are of consistently good quality, easily transitioning between lighthearted and moody when the story calls for it. Additionally, Sta. Maria’s faces look like actual Filipino faces, not just Caucasian (or wide-eyed manga) faces haphazardly plugged into a Philippine setting. His art style carefully toes the line between stiff and exaggerated: It’s a mix between cartoons and photography, a style that works well with Molina’s words.

It is this unique harmony between Molina and Sta. Maria that truly lets the book shine. A particularly entertaining sequence in the book involves Tino giving an ironically accurate account of his adventures during the past few days, downplaying them as fun, peaceful, and friendly; his words are juxtaposed with dynamic and rather violent panels that show the exact opposite.

Like any good comic book, the ending ends brings more questions than answers, leaving the reader wanting more and eagerly waiting for the next installment.

Ultimately, Molina and Sta. Maria don’t even need the beaming testimonial from Image comics co-founder and comic book legend Whilce Portacio on the back cover just to sell this book. It’s cleverly written, wonderfully illustrated, and a compelling argument for aspiring comic book artists to pursue their passion, even (or perhaps, especially) if they feel as if time were against them.

After all, Mang Tino isn’t stopping at sixty-six. — BM, GMA News

The third chapter of Sixty Six came out at Komikon on November 15.